Ebook The Adventures of Tom Sawyer and Huckleberry Finn

Ebook The Adventures of Tom Sawyer and Huckleberry Finn

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The Adventures of Tom Sawyer and Huckleberry Finn

Ebook The Adventures of Tom Sawyer and Huckleberry Finn

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Product details

Paperback: 144 pages

Publisher: CreateSpace Independent Publishing Platform (May 22, 2018)

Language: English

ISBN-10: 1719350019

ISBN-13: 978-1719350013

Product Dimensions:

8.5 x 0.3 x 11 inches

Shipping Weight: 13.6 ounces (View shipping rates and policies)

Average Customer Review:

4.2 out of 5 stars

94 customer reviews

Amazon Best Sellers Rank:

#51,563 in Books (See Top 100 in Books)

Kindle version is not bad. The chapter numbers seem to get off my 1 at some point for Tom Sawyer, but didn't seem to be missing text. I bought the Kindle version to read when I don't have the book (another publisher with both books as well). Other than the chapter numbers, it was a good format - although not much to get wrong I guess. I think most physical books have a few maps and fancy fonts on some parts, but that's not vital to the story.As far as the stories go, I've read both at least a couple of times when they were required reading in middle school and later. Tom Sawyer the book is fun without much meaning, except the joys of childhood. However, I didn't realize how annoying the character of Tom Sawyer was - seems to be the Bart Simpson of the time. Huck Finn was the annoying one before, but as an adult I realize how smart and moral he was, especially for his time and situation. Huck Finn the book is great too, but with much more symbolism and message, if you can get past the chapters with Tom going on and on about doing the adventure right.

I was looking for an illustrated Huckleberry Finn, and I was looking on the web for a list of all different illustrated versions of the book. I was surprised to see that Norman Rockwell had done a version. So there were two of my favorite things - the writing of Mark Twain, and the art of Normal Rockwell, together in one place. The Rockwell illustrations are fully developed paintings, so there are not that many of them, but they are all compelling. He understands that the books are fun, but with a serious side, and the illustrations strike a perfect balance of that. I don't think this version is in print, so you will have to buy it used. On a slightly different note, I found the list of all the different illustrated Huckleberry Finns, because someone had analyzed all the illustrated versions to see how racist the illustrations of Jim were. The author of that paper felt that Rockwell's illustrations, done in the 1950s, were less racist than earlier versions, but still racist. I disagree, Rockwell's genius was to show people as people really are, and I thought he showed Jim (who is only in one or two of his illustrations), exactly as the person he was - not degrading him, but not overly super noble, either.

= It was nice to go back over a couple of old-time favorites again, after more than a half century. Mark Twain is hard to beat.= Of course I have to agree with most critics that "Huckleberry Finn" is by far the better of the two stories, but only till Tom Sawyer shows up near the end and turns that part of the plot topsy-turvy. Miles Donald, who wrote an introduction to this edition, proposes a rationale for this ending - but it is not altogether convincing.= The (physical) book is excellent with regard to binding, typography, etc. Some explanatory features have been added, including a chronology extending from 1803 (32 years before Clemens' birth, till 7 years after his death when his last (?) book was published posthumously. This list has columns for "Author's life," "Literary Context," and contemporary "Historical Events."

Bought this for my adventurous 9 yr old Grandson who is an avid reader. He had never heard of it nor of Mark Twain. Seriously ? I guess Mark Twain is no longer worthy of mention in the schools. Anyway, I gave him a quick rundown of the book and now he can't wait for it to get here. We already discussed the not so politically correctness of it and he's cool with it. I read this in it's entirety a very very long time ago over one sleepless weekend when I was 9 ! It didnt hurt me, I doubt it will hurt him.

The book is very large and I'm not talking about volume wise. It's as wide and tall as a magazine if not bigger then the two novels are strangely formatted. It seems like a size 10 font with no spacing at all making it very hard to read. The size of the book makes it very uncomfortable to hold and read for any extended period of time.

This is a homemade reprint and includes the formatting from kindle. It has symbols in the middle of words! It is VERY difficult to read!!! I just opened it and am going to initiate a return immediately. If you look at all the positive reviews, they are for the kindle addition, NOT the paperback. You'll have to find another version of this classic story, do NOT buy this one.

I signed up for a Class to discuss this book, but I had never read it before. I am not quite finished (almost), and first class discussion is in 2 weeks. So I am excited to be part of the discussion. So the "jury is out" at the moment!

This book is in the words of Twain Himself. It is not some present day politically correct piece of junk. It is the real thing. the stories about Huck and Tom could as easily be history lessons as just reading enjoyment as they were pictures of a time as well a life stile.

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Free Ebook The Phantom of the OperaBy David Bischoff

Free Ebook The Phantom of the OperaBy David Bischoff

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The Phantom of the OperaBy David Bischoff

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• Sales Rank: #3999596 in Books
• Published on: 1978-06
• Ingredients: Example Ingredients
• Binding: Paperback

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Download PDF The Song of Achilles: A Novel, by Madeline Miller

Download PDF The Song of Achilles: A Novel, by Madeline Miller

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The Song of Achilles: A Novel, by Madeline Miller

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Review

“I loved it.” (J.K. Rowling)“Fast, true and incredibly rewarding…A remarkable achievement.” (USA Today)“Wildly romantic [and] surprisingly suspenseful....[B]ringing those dark figures back to life, making them men again, and while she’s at it, us[ing] her passionate companion piece to The Iliad as a subtle swipe at today’s ongoing debate over gay marriage. Talk about updating the classics.” (Time magazine)“One of the best novelistic adaptations of Homer in recent memory, and it offers strikingly well-rounded and compassionate portrait of Achilles....[Miller] injects a newfound sense of suspense into a story with an ending that has already been determined.” (Wall Street Journal)“Powerful, inventive, passionate, and beautifully written. ” (Boston Globe)“Beautifully done. . ..In prose as clean and spare as the driving poetry of Homer, Miller captures the intensity and devotion of adolescent friendship and lets us believe in these long-dead boys...deepening and enriching a tale that has been told for 3,000 years.” (Washington Post)“One of 2012’s most exciting debuts...seductive, hugely entertaining....[I]magining the intimate friendship between Achilles and the devoted Patroclus...Miller conjures...soulmates. The resulting novel is cinematic—one might say epic—in scope, but refreshingly, compellingly human in detail.” (Vogue)“You don’t need to be familiar with Homer’s The Iliad (or Brad Pitt’s Troy, for that matter) to find Madeline Miller’s The Song of Achilles spellbinding....her explorations of ego, grief, and love’s many permutations are both familiar and new....[A] timeless love story.” (O magazine)“Madeline Miller’s brilliant first novel...is a story of great, passionate love between Achilles and Patroclus....[R]ewriting the Western world’s first and greatest war novel is an awesome task to undertake. That she did it with such grace, style and suspense is astonishing.” (Dallas Morning News)“The Song of Achilles...should be read and enjoyed for itself, but if Madeline Miller’s novel sends the reader back to Homer and his successors, she is to be thanked for that as well.” (Washington Independent Review of Books)

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From the Back Cover

Achilles, "the best of all the Greeks," son of the cruel sea goddess Thetis and the legendary king Peleus, is strong, swift, and beautiful— irresistible to all who meet him. Patroclus is an awkward young prince, exiled from his homeland after an act of shocking violence. Brought together by chance, they forge an inseparable bond, despite risking the gods' wrath. They are trained by the centaur Chiron in the arts of war and medicine, but when word comes that Helen of Sparta has been kidnapped, all the heroes of Greece are called upon to lay siege to Troy in her name. Seduced by the promise of a glorious destiny, Achilles joins their cause, and torn between love and fear for his friend, Patroclus follows. Little do they know that the cruel Fates will test them both as never before and demand a terrible sacrifice.

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Product details

Paperback: 416 pages

Publisher: Ecco; 37696th edition (August 28, 2012)

Language: English

ISBN-10: 0062060627

ISBN-13: 978-0062060624

Product Dimensions:

5.3 x 0.9 x 8 inches

Shipping Weight: 12 ounces (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

2,210 customer reviews

Amazon Best Sellers Rank:

#1,433 in Books (See Top 100 in Books)

Starting this book I was at a strong 3.5 stars, then it bumped up to 4, and then the end had me in such a mess that it suddenly became 5. A miracle this is.The story and plot revolves around the Trojan war and the moments before and after where Patroclus meets Achilles and laters waits for him. The flow is actually quite gentle, even during the war fighting. I had expected more action and heart racing moments, and that is maybe why I did not rush into a higher rating.However, even though I had a feeling of who and the knowledge of death, I was still struck hard. It did not come on suddenly, no. It crept slowly, clung to my heart and then watered in my eyes. It was the reaction to death that got me.The end is beautiful and sweet. It brings together the readers and the characters who are in pain and comforts us and makes us allies.The writing is also wonderful. It's poetic and lovely at times. Of course if you do not like things being compared to unrelated things, such as the plumpness of lips to that of a bee, then you will disagree with me here. Regardless, this is the writing style I most adore in moderation and thus have loved this book.

I have never read the Iliad, and I thought it might be fun to delve into a modern treatment of the story. This book had so many great reviews that it seemed worth buying. However, I stopped reading the novel when I was about 30% of the way through. By this time it became clear that the author was going to make the romance between Patroclus and Achilles the centerpiece of the book. For instance as teens, Achilles and Patroclus spend two or three years in the wilderness with a centaur who is supposed to be instructing Achilles in the art of war... except he doesn't. Patroclus is not supposed to be in the wilderness with them, but he tags along anyway. This means that Patroclus himself has the opportunity to learn the art of war from this great centaur who taught Heracles how to fight, but Patroclus doesn't either. It appears that the only reason these two were with centaur in the wilderness for a couple years was to allow the author to crate a bucolic love nest for the boys. And for unexplained reasons, Achilles' mother, Thetis, seems to have always hated Patroclus. Again from a Romance-novel point-of-view, her intense animosity seems to exist only to create a "forbidden love" situation between Patroclus and Achilles. It all seemed so contrived.

For better or for worse, the Homeric epics are a bedrock part of the Western literary canon. Madeline Miller's The Song of Achilles looks at The Iliad from a fresh perspective: that of Patroclus, Achilles' closest companion. Since this is a retelling of a classic story (a genre to which I am predisposed), we already know how it's going to play out: Agamemnon will steal a slave girl claimed by Achilles, leading to the hero refusing to fight for the Greeks, leading to Patroclus donning his armor and being slain by Hector of Troy, leading to Achilles killing Hector and dragging him around the walls of his city, only to be killed himself by an arrow from Hector's brother Paris. What's different is what comes before and between.As most of us know, it was not uncommon in Ancient Greek life for older men to have sexual relationships with younger men. Homosexual relationships between men of the same age, however, were rarer. When I was taught The Iliad, even in college, the bond between Patroclus and Achilles was usually described as just a deep friendship (lip service was paid to the idea they could have been lovers but it was never taught as being the more persuasive interpretation). Miller's novel, however, roots itself in the alternate interpretation: she presents us with Achilles, the most gifted warrior in Greece, as a man in a loving and stable lifelong relationship with Patroclus.It would actually be more accurate to say she presents us with Patroclus as the romantic partner of Achilles: the story belongs to Patroclus, it is told through his eyes. Patroclus as created by Miller is a gentle soul, a disappointment to his aggressive father, who is banished when he kills another child purely by accident. He is sent to Peleus, father of Achilles, to be fostered, and is chosen by Achilles of all the young men at court to be his companion. Their relationship only gradually becomes romantic, much to the disgust of Achilles' river goddess mother, Thetis. She conspires more than once to break the couple apart, but their love is too strong and they remain together until the end. Miller explains Achilles' rage over the theft of his slave girl as being not about being deprived of a lover, but as being disrespected as the greatest soldier in the army by having his rightfully-claimed prize taken away.I found it a much more enjoyable take on the story than the original. Miller really gets the time to develop Patroclus and Achilles as characters in depicting them from boyhood all the way through adulthood. She paints a very devoted relationship between them: though both briefly experiment with sex with women, they never stray from each other and Achilles refuses to leave Patroclus despite strong maternal pressure to do so. Since Miller's Patroclus isn't a skilled or enthusiastic warrior and instead serves the Greek contingent at Troy as a healer, most of the battlefield scenes that I find so boring to read are left out entirely. This is a solid read for fans of historical fiction and/or classical retellings.

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